![]() In Period II there is a division at Bar 18 where the Coda is reached.īars 2-4: Tonal Answer in Treble, with Counter-subject in Alto. In Period I there is a momentary division at Bar 6 (F major). A figure mostly appearing in four demi-semiquavers (see Bars 8 and 9 in the two upper parts).įigure 3, quoted above, is also employed by Free Inversion, compare bar 6 (Treble part) and Bar 8 (Bass part) with Bar 2.An ornamental figure including two demi-semiquavers (thrity-second notes) (see Bar 2).A short arpeggio figure (see Bar 1, Tenor part).REMARKS:įour contrasted figures are used in the compositions of this Prelude: Tonic Pedal, forming Coda (Bars 18-19). Passing back to the Original key, which it grasps firmly with the Tonic. Bars 11-19: Period III. Dominant Pedal (Bars 14-15).
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